Winners pick a winner! Canon AE-1s really strike a chord with me as one was my first “real” camera. It’s fun to catch old ads like this for a favorite. Star Trek fans might like to know this is the issue with Denise Crosby in it! 😉
It’s always sad when a bastion of film photography is lost but the announcement from Freestyle Photo that the Holga Factory has closed hits a bit harder for me.
The Holga 120S was one of my first medium format cameras right after the antique shop Ansco Sure Shot. I modded the crap out of it which was really fun. I still have it and still shoot with it some 15-ish years later. For a plastic toy camera they’re reasonably tough! I bough the 120PAN (6×12) a couple years ago, and
The Super Blood Moon of 2015 (SBM2015) provided photographers who could see it a fantastic opportunity to capture a beautiful, spectacular, rare event. With a clear sky, long lens, tripod, and some understanding of exposure, you too could photograph quite a unique even in sublime detail. Shoot the moon it should be easy! Right?
Well it does test some chops. For starters you need a LONG lens. I used a 600mm/8 and wished it was a 1000mm. Much less than 500mm and you’ll be
It’s perhaps counter intuitive at first, but the darkroom is not a static environment. Darkrooms evolve. Needs change, the film stocks or papers you prefer may change. You may luck upon an upgrade or change locations all together. It’s a workshop of sorts and the darkroom changes over time as the craftsman adapts it to more closely suit his or her processes and ambitions.
I’m mostly self taught in black and white film photography. If you
Lens distortion isn’t a topic surrounded by excitement but it is something to be aware of when choosing your equipment and composing images. Even if you’ve never heard of it, you’ll still probably recognize at least one type of lens distortion. Heck it’s even boasted as a feature in some lenses!
The most common and recognized lens distortion is called Barrel Distortion. Wikipedia defines barrel distortion thusly:
In barrel distortion, image magnification decreases with
I first ran into this problem when I was shooting with the 35mm pano back on my Bronica SQa. I figured it’s the same length as a 6×6 fame, just a different height. I found extremely difficult to print 35mm panoramic (24mmx55mm) negatives in a 6×6 negative carrier. The reason why is coming up in a second. The solution was to get a panoramic negative carrier for my Beseler 23C.
Fast forward a few years and I make the exact same assumption and mistake when I got a Holga 120Pan Which
This roll has gotten around! It’s one of the interesting things about film photography. Rolls can sit, and sit, in a camera, waiting to be finished.
This roll in particular has been to Muskegon, Mi, on a photo walk in Carrolton (Saginaw, Mi), up to